Kathi E.B. Ellis
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Circling back to one of the most quintessential romances is a perfect way to end the Louisville Ballet's "Season of Romance." -
The Louisville Ballet is back in the Bomhard Theatre with a new look at its 2017 original production, “Human Abstract.” -
This year’s Choreographers Showcase — #ChorShow — is a show that’s unlike any other program the Louisville Ballet has produced. -
I’ve been reviewing this production since 2010, and always find some fresh nuance or new detail in the performances. -
Schermoly, a native of South Africa, is the first female choreographer who hasn’t already been part of the company to create work for the Louisville Ballet. -
Friday night brought two landmarks together: the kickoff of the Kentucky Center’s 35th season and the 50th anniversary of the Dance Theatre of Harlem. -
"Gravity’s Varieties" has two performances, Nov. 3 at 7:30 p.m. and Nov. 4 at 2 p.m. (sensory friendly), at the Kentucky Center. -
The bill includes Balanchine's "Divertimento #15," as well as two world premieres: "ស្នាមប្រឡាក់" choreographed by Robert Curran and “Force Flux” choreographed by Brandon Ragland. -
With Mozart as the spine of next week’s triple Louisville Ballet bill, we can anticipate a sparkling evening (with some darkness interspersed). -
Louisville Ballet resident choreographer Adam Hougland, in his first full-length story ballet, is taking on that most iconic of love stories “Romeo and Juliet,” set to the Prokofiev score.
